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Confidence and Peace with Fibers and My Machine…..Guest Blogger: Patricia Ross

March 15, 2021

Level 2 Studies in Design and Experimental Machine Stitch.

This level 2 Experimental Machine Stitch Class – Clover was one of the last to hold an exhibition before our world turned upside down with Covid 19. We have all had  time out, whether we thought we wanted it or not. I typically write a blog for each graduating class.  But for Clover, Level 2 Machine group, I got caught up working out new technology to host my classes online. So basically our blogs have been down for a while.  While looking through photos of this group’s artwork, I wanted to let others continue to see and appreciate it. Gail Harker  

I was not always joyful when using my machine, but this course did allow me to feel confidence and peace while experimenting with different fibers, fabrics, and techniques.  I was happy to discover I could get very ethereal effects with the various ways of stitching which Gail taught us.  I will now approach my machine with confidence knowing I can achieve the effects I wish to get.  Patricia Ross

Students Talk About the Little Hand Stitch Book!

April 13, 2021

Our Little Hand Stitch Book has been a favorite of our students for over 20 years. Students learn different hand embroidery stitches and put it all together on their own hand-dyed/painted fabric in a lovely book format that they can refer to for years to come. We’ve recently offered this class online and have had such a great response, we’ll be starting it again on May 13. Here’s what our students are saying!

Magic Chain Stitch by Christina Fairley Erickson

“The stitch book class is a place for beginners to experienced stitchers to explore color and stitch while making a small book.  The class is very well organized and directions for both applying color to the felt backgrounds and making the stitches  are clear and easy to follow.  Gail offers in-depth videos and presentations on both historical and contemporary stitch.  Her high quality in person classes easily moved to the online format during this pandemic.  Gail is supportive and sets a warm atmosphere for everyone in the class.  There is so much joy in this class.”

Miriam R.

Chain Stitch by Joanne Rieger

“Initially hand stitch never appealed to me.  It took time!!  I preferred machine stitch in my quilting and garment making. When the brochure came out for the hand stitch class it was the amazing color in the stitching and dying of the felt that did it for me!  I couldn’t resist.   I love color and the richness of the colors was what pulled me in I’m learning so much! Gail’s love and enthusiasm for the art of stitching is clear.  Also her love for the history of stitch makes me want to visit the museums she takes us to on GoToMeeting (a video-conferencing Zoom alternative).  

There is such a rich history of the practical use of stitches to sew and repair garments, as well as stitch used for creating beautiful things out of beautiful threads and yarns.  

This class has opened a whole new world of possibilities for me in stitch.  I won’t dye bored!!  In more ways than one!  I’m having fun!

I love that Gail has translated all that creativity  from the well equipped Gail Harker Creative Studies Center to the virtual world.   We  are still enjoying the wonderful world of creativity.”

Sharon J.

Stem Stitch with Open Chain Stitch by Cynthia LeRouge

“I am a “graduate” of many of Gail’s courses over the past twenty-plus years of classes with Gail.  I have done many samples of stitches and these are all neatly mounted on card and filed in course binders sitting on my bookshelves.  However, I never look at them!  The appeal for me of working this “Little Stitch Book” is the  tactile sense of my very own fabric book – in such a colourful array- of stitches and stitch combinations on the hand-dyed felt.   This was a chance to experiment again with dye-painting background fabric and to play with threads of all sorts. And, of course, to meet up with other students of Gail’s.”

Barbara G.

If you or someone you know is interested in finding out more about or signing up for our Little Hand Stitch Book Online class, Click Here!

Detached Chain Stitch by Kim Zrust
Chain Stitch Rainbow by Christa Knudson
Various Chain Stitches by Jackie Anderson

Visiting the Ros Tapestry… Guest Blogger: Christina Fairley Erickson

March 17, 2021

Looking back at our trip tracing my Irish roots in 2018, I have to say one of the highlights of our trip was seeing the Ros Tapestry. I found out about this wonderful exhibit from a friend and fellow fiber artist, Maura Donegan. It’s located in New Ros, near Waterford and tells the story of the Norman arrival in SE Ireland. There are 15 embroidered panels, each measuring 6 ft. x 4.5 ft, showing the way of life in Ireland in the 13th century.

Panel 1 – The Celts: in an island fastness

While it may look as though the panel has been made from applique, it is completely created of hand embroidery! The panels were made by over 150 volunteer embroiderers over the course of 15 years, with the volunteers coming from the regions which each panel’s story portrays in County Wexford and Kilkenny.

Detail of Panel 1 – depicting the coronation of an ancient Irish king

The tapestry, inspired by the famous Bayeux Tapestry in France, was conceived of by Reverend Paul Mooney of St. Mary’s Church in New Ross in 1998. A local artist, Ann Griffin Bernstorff, created the original designs.

Panel 11 – Gothic Glory: the building of the parish church of St. Mary’s

Each panel is richly filled with wool thread embroidery on a linen twill fabric. The stitches include seed stitch (mostly for filling in backgrounds), French and bullion knots for hair, satin stitch, and long and short stitch for people or animals to show movement and musculature. Each panel took between 3 and 8 years to complete. The 15th and final panel is still in process being stitched.

Panel 8 – Ex Voto Tintern Abbey
Detail: Panel 8 – Ex Voto Tintern Abbey

The Ros Tapestry is currently on loan to the OPW in Kilkenny Castle, Kilkenny.  The exhibition will be available for public viewing when the Castle opens in March 2021. 

It is anticipated that the Ros Tapestry will return to New Ross in 2023, when Wexford County Council has developed the planned Norman Museum at the Quay in New Ross.

For those interested in doing an armchair visit, rather than heading to Ireland, they have created a very nice website at https://www.rostapestry.ie/ which you can learn more about this wonderful textile treasure!

25 Million Stitches Hits the Mark: Guest Blogger Christina Fairley Erickson

November 15, 2020

You may recall last Spring when our own Penny Peters contributed to this blog with pictures of her piece in process for the 25 Million Stitches project. This project was conceived to put a light on the plight of refugees worldwide- with the goal of having 1 stitch for every refugee… all 25 million. The entire project has over 2000 completed panels with over 2100 stitchers contributing. Penny’s piece inspired me to contact the project and contribute to it as well.

Christina’s two finished panels for the 25 Million Stitches Project

My first panel was started by looking a images of refugees in life boats and planning out the design. The linen for the panels was sent to me from the project, so all the panels could be the same size. I knew I wanted to address the issues of the danger faced by refugees fleeing over water, partially due to my dentist having had this experience as a child leaving Vietnam. Since I wanted to have the panel speak to a global experience, I made the scene generic, as though it could be anywhere. I also specifically left out the figures, other than the life vests, to represent both those escaping and those who were lost in the attempt to flee for a better life.

I transferred the design on with pencil and started out with stitching the hills in the distance with a running stitch.
Next, I started filling in the life jackets & innertubes with satin and straight stitch, the boats with running stitch and the water with back stitch and running stitch.
Full Panel for 25 Million Stitches Project by Christina Fairley Erickson
The second panel was designed to have the feel of water and to stagger the words between the waves

I chose a font I liked for the panel and designed this second piece around the wording “Rivers of Tears; Oceans of Misery; Seas of Sorrow”. I used a simple running stitch for the wave pattern, then did a satin stitch over the backstitched outline of the letters . I then added detached chain stitches to look like tears. The project asked for participants to mark their name and home city/state or country as the final part for each panel, which I chose to do in stitching.

Second panel for 25 Million Stitches Project by Christina Fairley Erickson

If you’re interested in seeing more about the project, you can watch a wonderful presentation put on by the Surface Design Association with the SDA President Astrid Bennett and 25 Million Stitches project founder, Jennifer Kim Sohn discussing the project on YouTube. Both Penny’s panel and my lifeboat panel are shown within the video!

You can also see an artist’s rendition of what the exhibition will look like when it opens at the Verge Center for the Arts in Sacramento here.

I Learned to Do Impossible Things in the Machine Embroidery Class: Guest Blogger: Alana Koehler

May 28, 2020

Level 2 Studies in Design and Experimental Machine Stitch – Class ID: Clover, Blog 4

During my my time in the machine embroidery class, l learned to do IMPOSSIBLE things (have you ever listened to the Ted Radio Hour?) – among them artfully burning fabric, putting very thick thread into the bobbin and the necessary adjustments to my machine, and printing photos onto cloth and stitching on them.

I made a serious effort to widen my color palette, moving more into yellow/orange and gray from my usual blue and purple. My main theme has been trees and my relationship with special ones.

I appreciate Gail’s in depth approach to both the artistic and technical aspects of machine stitching, as well as the camaraderie and talent of my classmates. I hope to continue my studies at the Center.

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Getting My Mojo Back with Machine Stitch….Guest Blogger: Laura Elmore

April 21, 2020

Level 2 Studies in Design and Experimental Machine Stitch (Class ID: Clover) Blog 3

Before I ever heard of Gail Harker, I was a painter who’d lost her mojo and was dabbling with quilts designed by others while waiting to find it. At some point during that mojo-less period, I saw a show featuring the work of Gail’s students. Needless to say, I was blown away and began to formulate a picture of where my own art could go in some far-off future time.  A year or two passed before I ended up signing up for the first of a series of workshops, leading up to the current machine stitch 2 class I have just completed.  It has been a wonderful journey of learning exciting new techniques, generating ideas and gaining confidence and joy – getting my mojo back!

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25 Million Stitches – The Last Stitch….Guest Blogger: Penny Peters

April 14, 2020

 Refugees for 25 Million Stitches Project

At the very beginning of winter’s short, dark days I was inspired to join a community project called 25 Million Stitches (https://www.25millionstitches.com/ ).  Each of the 25 million stitches represents one of the 25 million refugees in the world this year.  I signed up on the website and was sent a numbered piece of fabric that measures 15” X 32” with instructions that the 15” height couldn’t be changed, but the length could be shortened.  When I looked at the fabric, I instantly saw a long line of refugees fleeing violence, drought, grinding poverty, etc.  For a few days I thought about what subject matter I might like to stitch, but since the vision of the line of refugees refused to leave my mind, I settled on that.  Since I have little practice drawing human bodies, I looked up photos of refugees online, and drew separate forms from the photos.  I scaled them to size, placed them together in a line that filled the full length of the fabric, and traced them onto the fabric.  I used two strands of floss for the main stitching, and one strand for outlining.  I have now finished stitching the figures in grayed colors, and have begun working on the ground and stormy sky.  The dark days of winter flew by, and now I welcome the longer brighter days!  My piece is due to the 25 Million Stitches Project by the end of April, and all of the pieces will be exhibited at the Verge Center for the Arts, 625 S Street, Sacramento, CA, June 5-August 15, 2020.

April 14, 2020 – My 25 Million Stitches piece is now complete, and ready to be mailed. Since you last viewed it, I have added a brooding sky which begins dark and heavy, getting lighter as the refugees move toward the right-hand side.  My intention for the transformation of the sky is to signal a ray of hope after all the gloom and doom.  My intention with the ground beneath the refugees’ feet is that it should look like a precarious path to longed-for safety and a better life, but no guarantees.  I used a single strand of embroidery floss for the ground and sky.  I stitched most evenings from mid-January to the end of March.  It has been a heartfelt project for me.  I will mail it off to the 25 Million Stitches community project this week. Penny Peters

Starting on My Mother’s Treadle Sewing Machine Guest Blogger: Judi Bergsagel

April 10, 2020

Level 2 Studies in Design and Experimental Machine Stitch (Class ID: Clover) Blog 2

I have been a “maker” most of my life. In elementary school I learned to sew on my treadle sewing machine and started making clothes and crafts. One of my favorite memories is my 16th birthday when I got my own Singer sewing machine with cabinet and stool—how proud I was! I used that machine for years for clothing and for curtains as we moved around in the Army but as family and work commitments increased, I sewed less and less. Yet I always had a dream of doing more with my machine-something that involved more creativity. Fast forward to retirement 3 years ago. My retirement gift to myself was a new sewing machine and a Level 1 class on Creative Machine Embroidery with Gail. That was the beginning of a journey I am thoroughly enjoying.

I read recently that art is a combination of process and inspiration. Gail’s classes are a true blending of both. She guides us through learning about the process for creative embroidery using a variety of tools, materials, and techniques. And then we create pieces of work using our own painted fabrics, inspiration, and imagination. No patterns in this program! We learn about concepts of art and design as they relate to our own pieces of work. It’s always rewarding to hear you used a good design concept even if you didn’t know you were doing it!

As the 5-week Level 2 course comes to an end I thank Gail, Barbara Gilbert, and all my classmates for new knowledge, new inspiration, and new motivation. I look forward to more paths on this journey into textile art!

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Circles for Healing and Happiness

April 3, 2020

The study of Circles stretches back beyond recorded history. Mathematicians love the fact that the invention of a wheel is a discovery of the properties of a Circle. Some people in different countries use the Circle as a Mandala to symbolize endless meanings such as never ending life, always being connected and to symbolize peace.  It seems that this symbolization could have great healing power upon countries all over the world right now in this time of Coronavirus.

I love the Circle because it not only has the ability to populate the world with complex symbolism, powerful traditions and contemporary beauty but it is such an exciting way to begin the journey of art and design.  It appeals to beginning students and for those who would like to develop more complexity in their artwork. All the Elements of Art and Design can be used in the creation of circles.  So many interpretations of a Circle may be found in our world. Anybody with or without art training can create Circles and beautiful artwork.

I have created two courses Circles 1 and Circles 2 that are available online (at a vastly reduced price) for anyone who would like to try creating a Circle or 2. I have also provided a free online Circles video that you can download. It is titled: Dividing a Circle with a Compass.

Anybody is welcome to send photos of your creation.  Create a Circle or 2 and send a photo to me.  We will place your Circles on our Blog to highlight   Circles for Healing and Happiness. Gail Harker

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Gold Work and Silk Embroidery 1466..Florence, Italy… Guest Blogger: Penny Peters

April 2, 2020

Altar Frontal Santa Maria Novella, Florence, Italy
This Altar Frontal of Our Lady of the Assumption with Stories of the Virgin was made in 1466 from a drawing by Paolo Schiavo. The small panels at the top were embroidered by the nuns of St Bridget of the Convent of the Paradise at Pian di Ripoli (Florence) 1466. The nuns used silk and gold thread and used split stitch extensively. In some places the stitching is entirely eroded, probably by the bodies of those coming for Communion. Each one is a small treasure. The panels are placed on high-low gold brocaded velvet which is backed by gilded interfacing. In the 15th C there would have been many weavers producing hand-loomed, high-low silk brocade. And in Venice there are still a couple of weavers left who produce this very expensive fabric. The frontal measures about 11 feet in length to fit the 15th C altar where it was once mounted. It is displayed in the Museum of Santa Maria Novella, Florence, Italy

A note from Penny and Gail – There are 15 embroidered panels on the top edge of the altar frontal. We have shown only a few panels for you to get an idea of the storytelling done in embroidered pictures of the 15C. The photos are not all clear but we feel that it is important to see regardless of that. These panels also show how the line direction of the stitches was used and how the stitches were used to show shade and contrast. Click on each panel to see larger.  If you are studying embroidery of this century and you would like to see all of the panels, contact Gail Harker

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